Source: http://www.chislehurst-society.org.uk |
Yesterday I somehow ended up in one of London's unexpected underground chalk mines turned safe haven turned tourist attraction/mushroom farm.
I had no idea what to expect, so my expectations were at very neutral levels. For that reason, I was very pleasantly surprised when I found myself surrounded by World War I and World War II replicas and memorabilia. I was in my element and the history buff inside me was having the time of her life. How I had never visited this place before was beyond my comprehension.
First impressions, however, were slightly and momentarily overshadowed by the fact that the last tour was at 4 pm, which, for perpetually late idiots like me, can be a problem (just kidding).
The first section that caught my attention was a dangerous one: the gift shop. Like I said, my 30s-to-60s-loving-self was way too tempted by those pretty replicas. I must say, the prices were not bad at all, with the basic replicas ranging from 50p to 10 pounds, and the variety was fantastic, with something to please anyone with any kind of interest in modern history. My favourite part, though, was the replica bundles section, which was enormous and was priced at around 6 pounds per pack.
Now, for a sudden deep dive into the underground. That sentence made no sense, but it's almost midnight and I'm tired. Anyway, the moment arrived, at last, to queue up and willingly step into the deep pits of the ground beneath our feet, with no real guarantee that we would come back out again. Ok, again, I might be exaggerating for literary purposes.
Anyway, as soon as Peter came out of the caves and distributed very dangerous kerosene lamps among the adults (thankfully), we knew we were in for a show (shout out to Peter M. the Cave Ghide!).
In the dark, cold tunnels, we immediately get the feeling that something very important happened there and if the chalk walls could talk, they would have a long story to tell. Well, in a way, they do, just through Peter.
I won't go into any details about the actual tour, simply for the fact that I quite enjoy the idea that what happened in the dark should be reserved for the memories of those who experienced it. It keeps the mystery and the aura of solemnity that envelops you as soon as you set foot into the deepest end and find the first obvious signs of human passage.
Religion is everywhere, in all its forms, perhaps because of the strong history of the caves during the world wars, in the first half of the twentieth century, when religion might have been one of the last rays of light and hope in those very dark hopeless days.
I will, also, mention the various rooms you get to visit, with all the original signs of human presence in times of need, the safety that thousands found there when upstairs, London was being bombed to bits. Light was the enemy, it made you a target. The underground and the darkness it provided, saved thousands of Londoners from death.
That is what planted the idea of the power of fear during the almost-hour-long visit. The dark - literal and metaphorical. It was fascinating, walking past the three-bed bunks, a sample of subterranean real estate, and hearing that children sleeping on the floor, rather than the beds, was the lesser of two evils.
Equally, the sensorial experiences were so well planned it is easy to get lost in the moment, when, in complete and utter darkness, with not even the kerosene lamps to keep us company, we heard the faint sound of the rocks whispering the tales of Frederick and the young girl found in the haunted pool, the families that lived there for years on end, knowing that if someone went outside and didn't return for more than four days, they were given as lost, and even, at one point, the sounds of the Blitz just above them, inching ever closer to their home above ground. I am usually a skeptical person and I must admit that at some points I was rolling my eyes at the ghost stories Peter narrated like a very well practiced speech meant to scare the little ones, but then, in that moment of complete nothingness, it was easy to believe in ghosts. It was fear. F. E. A. R.
False. Evidence. Appearing. Real.
Former. Expectations. Affecting. Rationale.
Forget. Everybody. And...
Run.
Soundtrack for extra brownie points:
Vera Lynn - (There'll Be Bluebirds Over) The White Cliffs Of Dover
Vera Lynn - We'll Meet Again
Source: http://www.chislehurst-caves.co.uk |
In the dark, cold tunnels, we immediately get the feeling that something very important happened there and if the chalk walls could talk, they would have a long story to tell. Well, in a way, they do, just through Peter.
I won't go into any details about the actual tour, simply for the fact that I quite enjoy the idea that what happened in the dark should be reserved for the memories of those who experienced it. It keeps the mystery and the aura of solemnity that envelops you as soon as you set foot into the deepest end and find the first obvious signs of human passage.
Source: Pinterest |
I will, also, mention the various rooms you get to visit, with all the original signs of human presence in times of need, the safety that thousands found there when upstairs, London was being bombed to bits. Light was the enemy, it made you a target. The underground and the darkness it provided, saved thousands of Londoners from death.
That is what planted the idea of the power of fear during the almost-hour-long visit. The dark - literal and metaphorical. It was fascinating, walking past the three-bed bunks, a sample of subterranean real estate, and hearing that children sleeping on the floor, rather than the beds, was the lesser of two evils.
Source: http://www.subbrit.org.uk |
False. Evidence. Appearing. Real.
Former. Expectations. Affecting. Rationale.
Forget. Everybody. And...
Run.
Soundtrack for extra brownie points:
Vera Lynn - (There'll Be Bluebirds Over) The White Cliffs Of Dover
Vera Lynn - We'll Meet Again
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